Mindset

Befriending Your Perfectionist

When you tell a story, the first person you must convince is yourself; if you can make yourself believe i’s true, then everyone else will follow.
— Raynor Winn, The Salt Path
 
 
 

See that picture up there? That's for you! And me!


I was in my favorite local on my 40th birthday and happened to be in this stall when I made my way to the ladies' room. Some kind soul had written this for every women who goes in there. Women who worry that they're (ahem) getting a bit more gray every day. Women who are on bad dates or drank too much or wore the shirt that shows their tummy rolls or who miss someone they lost or made the mistake of getting drinks with the friend who is hot and will never love them back. Ladies' rooms are powerful spaces and I am always, always in awe of how women have each other's backs in stalls. I've seen so many messages like this over the years. Cheers to us for being the wind in each other's sails. Challenge: buy a Sharpie and leave some messages of your own. Or say a bit of lovingkindness for every woman who will go in there after you. 


One thing these messages do is they tell our Perfectionists to take a knee. A perfect stranger is telling us we matter, we are enough, we are beautiful so, please, Perfectionist, for the love, STFU. 


The thing is, our Perfectionists are parts of us. So when we hate on them, we're just piling more of that rejection and annoyance and frustration on ourselves. This can happen a lot around this time in the New Year, when you have so many goals and expectations and you start to see all the old habits rear up. Let's break the vicious cycle, shall we? 



Because you and your Perfectionist are:

Your Perfectionist and Internal Family Systems



Today's missive came out of a great conversation with one of my writers who is doingmy FLOURISH creative season.Part of what I love about coaching is that we stumble into these gems of deep work, where I'm invited to create a whole structure around a single conversation that can serve future writers I work with. I always have lots to say about the Perfectionist, but this writer challenged me to see the Perfectionist and Inner Critic as separate (for many of you, they are not, and that's perfectly fine). Below is the fruit of that discussion. 



So the big thing we're looking at is your Perfectionist and how this part of you is - even though it's hard to believe - trying to protect you by showing up and slowing you down or causing you to self-doubt. 



What follows is a very simplified riff onInternal Family Systemsdialogue. This is something you would do in therapy or with a trained helping professional, like myself. But I wanted to show you what it looks like when you are able to learn how to befriend a part of you that you might not be very fond of. 



The basic foundation of Internal Family Systems is that we are all composed of many parts and each of these parts has given itself a job, though some parts, called Exiles, are hiding away (hello, shadow work).In this modality, we operate from a place of understanding that ALL of our parts are trying to help us.They might have a funny way of showing it, but they legit think they're protecting you. So that part of you that tells you that you look fat - it doesn't hate you. It's trying to protect you from being unloved and rejected and it's convinced that making you feel bad will inspire you to conform to society's beauty standards so you will be successful and accepted. 



So, let's just work with the idea, for a moment, that your Perfectionist is trying to help you. It's protecting you. It wants the best for you and is terrified that if you aren't perfect, you will be miserable. 



The reason the following work is best done with a therapist or certified helping professional trained in this modality from a reputable institution is because it can bring up a lot of intense emotions and trauma. I don't recommend doing this on your own if you suspect your Perfectionist is connected to something that could seriously dysregulate you. If 1:1 work is not available to you, I recommend first familiarizing yourself with Internal Family Systems -this book is a great start.Glennon even talked about iton a recent podcast. Parts work (IFS) can bring up a lot of unexpected things, so it's important not to fly solo when you go deep with this stuff. Phone a friend if you have to. 



Our goal here is to get in conversation with our Perfectionist, to allow them to be heard, and to get under the hood of why they do what they do.


 

Example Dialogue with Your Perfectionist




You:What are you trying to protect me from?


Perfectionist:Failing. If you fail, then you'll never publish again and all our dreams will die. That's why I have to keep telling you you're not good enough. If you think you're good enough, you'll share your work with the world too soon and it will be rejected and, remember, all our dreams will die. 


(( Notice the language: "our." Your Perfectionist is a part of you, not separate. ))


You:  First, thank you so much for trying to protect me. I don't want to look like a dumbass to the rest of the world. We are on the same page about that. (( Notice affirming the part for what it's trying to do for you. )) The thing is, it's rough for me when you put me down. It makes it harder to write. And I know we both want me to be a successful writer. (( Let them know how you feel. )) What would you rather be doing than reminding me I'm a terrible writer who will never succeed?

(( Note that in a 1:1 dialogue guided by a helping pro, this would take much more time. You'd have an internal room to explore this with your Perfectionist, visualize them, really have a conversation. You'd find out where the roots of all this came from. This is a very amended version). 


Perfectionist:I guess I'd like to be a cheerleader. That sounds more fun. 


You: Would you be willing to cheer me on while I'm writing?


Perfectionist:I don't know if I can. What if it's bad? Like, you're no Margaret Atwood. 


You:Well, if you can't cheer, would you be willing to sit quietly while I'm writing? It's hard for me to work and be good at what I do when you're yelling at me. And I can only get better if I can concentrate. 

Perfectionist:I'll try. 



Your dialogue might be very different, but this is the basic approach. When you befriend your parts, you begin to work together, as a team, rather than sniping at each other like a dysfunctional family unit. 



So it's really about partnership. 



You could enter into this dialogue when your Perfectionist shows up, or you can also do this on your own, after meditation. I highly recommend listening to this talk / guided meditation by one of my teachers, Ralph de la Rosa, a meditation teacher, therapist, and expert in IFS. (A kid randomly asks him a question - this is a recording of a lecture - but this isn't for kids. There's the explanation, then he walks you through a meditation. He's the go-to parts person that I send people to). 


Other Ways of Working with Your Perfectionist 



- Pay attention to when your Perfectionist is silent - this is an area where writers feel a natural sense of refuge and confidence. What is happening in the writer's seat or on the page to make them go silent? Can you replicate that more often?


- When we're approaching the work with an honest sense of play, our Perfectionists tend to zip their lips: they're having fun, and they see that you are and there are no stakes here for them to harass you about - you're just playing, right? It's not like you're going to show this to anyone. Trick your Perfectionist if you have to! Do whatever elicits honest play. The key here is to not trick yourself, but to actually orient towards playfulness in the writer's seat as often as possible. There is something really rich here about ways you can bring more playful curiosity and challenge to the writer's seat. Maybe you like to play games with yourself - get to a certain word count before a buzzer goes off, or have something wild happen on the page just to see how characters react. Maybe pomodoros get you going. I once worked with a guy at a theater company who hit an honest-to-god bell every time someone had a great idea or said something hilarious. You do you!


- Create a mission statement for your book that reminds yourself of your reader, who you are writing this for, and what you hope this book will achieve as medicine for yourself and the world. Having this visibly posted and reading it when your Perfectionist says there is no point to your writing can sometimes help with the Perfectionist


- Self-compassion. How can you soothe, be tender and compassionate toward this part of yourself? I think the parts work with Ralph de la Rosa (link way above) will be so helpful and is in alignment with other self-compassion work. 


- Feel the feelings. Right there in the writer's seat,do some RAIN on-the-spot. It really helps and can take as little as a single moment. (Note: I now have the “A” as Allow and the "N" as Nurture - this is considered new best practices for RAIN, rather than non-identification, but you do you!)
 

 
 

Understanding Your Internal / External Benchmarks



Internal and external benchmarks are the standards you've set for yourself regarding your writing or your WIP. An internal benchmark might be "To prove to my family and friends that I'm a real writer." An external benchmark might be "To get an agent."


Notice that, with these and many other benchmarks, none of these things are in your control. In fact,control is a huge part of working with your Perfectionist.They are the ultimate control freak. Our perfectionists love control and the hard thing is that we don't control anything about our books once they're out of our hands, so external benchmarks need to be handled very carefully. And we also recognize that, at times, we can't even control our books - there are low flow days because you're sick, or the book asserts its own will. 


So when you understand your benchmarks and begin to work kindly and compassionately with them, eventually reframing and transforming them into something that is in your control (such as your reactions or your commitment to your writing practice), the Perfectionist can no longer run you around with these benchmarks, standards you can't possibly live up to. 



This is huge! So, you now have an assignment to begin listing what your internal and external benchmarks are for your WIP. 



Answer the following questions to wrap your head around what these benchmarks might be (or set up a Breakthrough call with me and we'll sort you out):



1. When does your Perfectionist show up?Is it when you skip a writing day, or when you've just written a scene you're proud of? Maybe it's when you read other people's books or go on social (Don't! It's the thief of your joy!).


2. How is your Perfectionist trying to protect you?You might note the time they come up to get a sense of what's triggering their presence. For example, are they trying to keep you from being too exposed, too vulnerable? Are they hoping you won't be publicly humiliated, or that your family won't be furious with you for writing that memoir? Maybe they don't want you to "go there." Mind-mapping this can really help. 


3. Tease out your answers to get at the heart of your benchmarks. What's really driving them?Now, you're going to look over those answers and begin teasing out specific things. For example, if you said you wanted to write the very best work you can, then this next question would be, "What's the very best work? What does that mean?" If you said, "to get an agent," then tease that out. With both, you're going deeper than the surface benchmark. Way down there, you might end up with realizing that both your internal and external benchmarks are related to trying to prove to yourself and the world that you're a good writer. Then tease that out, "What's a 'good writer'". Now you're getting closer to something you can actually have some agency with. Maybe a good writer digs deep emotionally, writes several times a week, and is in deep flow. You can do that. 


The answers you arrive at are your next steps for working with your Perfectionist.You'll be able to bring support, tools, and modalities that work for you so that you have benchmarks that are nourishing and allow you to tap into your personal power. 


Maybe you work with affirmations. Maybe you finally writethat Writer's Artist Statement I keep nagging you about. Maybe it's time to create a real Reader Avatar that you want to heal or comfort or excite with your book. 


The next step of this work is to do the work of aligning with your purpose, your vocation, with an orientation of service.It takes the pressure and focus off of you. It's no longer about your benchmarks, but about putting the medicine of your book out into the world. It makes it very hard for the perfectionist or inner critic to derail you, because it's tough to argue against "I want my book to heal women who have been traumatized by their bosses." Or whatever. 


One thing that will be helpful is if you can articulate where you feel your Perfectionist in your body. Once you find that area, you can spend some time there in your meditation session. Just being there. Being curious. No storylines or judgment. Just breathing into that space and holding space for this part of you that wants to be seen. It's about dropping the story and just sitting with the physical manifestation of your Perfectionist in your body. Somatic modalities are great with this, including the RAIN meditation I linked to earlier.Lovingkindess mediation is also rally helpful,because the Perfectionist needs to know you are enough, just as you are. 
 

 

Your Perfectionist Protocol 



Write a list of all the ways that you can work skillfully with your protagonist. A few ways to begin:

- What helps you feel playful?

- When is your Perfectionist quiet?

- Meditations for support that work for you?

- Create a writer's grimoire for instant inspiration. Keep it on your desk!

- Try some tarot for writers to go deeper into your Perfectionist and how you might best respond to it. On-demand or 1:1. 

- Get into a routine that works for you and shows your Perfectionist you have this HANDLED. 

- Take a walk. 

- Avoid bashing your Perfectionist. Kill them with kindness. 

You are enough. And, by the way, your outfit is ON-POINT. 💜

Yours in doing right by the miracle, 

How To Let The Sunshine In

 
 

It's so, so heavy out there. How are you?

I mean, really: How ARE you?



My heart hurts, and I know many of yours do, too.

I've been giving myself some time to rest - my chronic pain coupled with the world and the detritus of life has forced me to slow down. Today, my neighbor and I walked to the Co-Op and then we sat in the sun on the porch and talked and I was wearing a T-shirt and I let myself enjoy that. I didn't feel guilty that I wasn't working on this newsletter or grading papers or whatever.

Sometimes you just need to let the sunshine in. I sang this at my husband this morning after I read the news and he endured it with good humor. I am listening to it on repeat and dancing in my chair and trying not to cry as I write this.


* sometimes * our pain is our power.


And I have finally FINALLY come to a place where I know that love is at the center of that power.



Whenever people said that, I felt like it was trite and insincere. But after years of inner work and sitting in silence and plant medicine and good relationships (and unhealthy ones), I finally understood that at the bottom of EVERYTHING I do is a deep well of love for all of us. And it's expressed in my writing and my activism and my holy fury.


Knowing that I was going to write this for all of you is what got me out of bed today. I treasure this space. I treasure your emails. I am grateful for the chance to exchange words.


I know not everyone is like me, who is certain she has figured out how to save the world at 7:00 am and outlines the plan for her husband while he's trying to get dressed for work. (Sorry, Zach!). The Zen Master listens patiently and then he puts on his shoes and goes to teach teens, many of whom are migrants that people like the governor of Texas think don't deserve the education Zach gives them. I have feelings about this.


But we need to let the sunshine in. And we need to LET the sun SHINE. How to balance light and dark? I'll be getting into that in my next newsletter.


Spiritual bypassing is a big, old NO.



But playing the above song and just jamming is medicine. Find a space in the sun and sing and cry and roll around and pet your cat and tell Putin where to stick it and hold all the dead of Ukraine in your heart and then, then....


Write.


This is what you have to contribute.


This is how you help other people let the sunshine in.


Whether it's an email to someone you appreciate (one of my students sent me one recently and it really meant a lot to me), or a letter you will never send but need to write, or a haiku, or a blog post, or an opera, or a novel or a message in the sand.


Maybe all you have in you is a phrase and a black Sharpie. Write it everywhere, write it on your hand, your mirror (it comes off, don't worry!). Bathroom stalls. Whatever.

Just. Write.


Here is an extended version of the chorus so you can just have it be a mantra in the background.

One more book for your TBR (this link is a great excerpt, so if you don't have time to read, you'll get the gist) - it has given me so much hope in recent days.

I'll end this with an on-brand Heather-Is-A-Buddhist final thought:

I've been thinking about death a lot lately. Particularly my own. It's a good practice in my tradition - it opens you up.

But it's hard. It's hard to know that someday - maybe soon, maybe not so soon - you won't be here anymore.

And thinking about that, it fires me the hell up. It makes me want to rage against the dying of the light, leave it all on the stage, and leave this world a little better than how I entered it.

It takes a while to get there. And there are days, like yesterday, when it feels like living in this world right now is like trudging through treacle.

All feelings welcome.

Just don't forget to let the sunshine in.

With much love,

The Writer's Ripple Effect

Press on, my sisters.
— Sue Monk Kidd, The Invention of Wings
 

If you read this post, I can promise you one thing—and I don’t say “promise” lightly:
 

You will have a reason to write that will get your fingers on the keyboard every day that has nothing to do with publishing, progress (whatever that means to you), or product.

This simple orientation can be a lighthouse in the storm, guiding you in to the shore of yourself, to the full integrity of your practice, every single time.

Some days you won’t need it—you’ll be in major flow or signing a book contract or deep in a get-it-girl groove. Ride that wave to the shore, sister.

But for the other days, you’ll have this.
 

Let’s begin.


Sound Familiar?

I am sick of words.

I don’t even like writing anymore.

Why am I doing this?

What’s the point?

This is a waste of time. 

I’m never going to…

I’m so disappointed in myself.

All these other writers seem to be able to…

I’m so frustrated!

I don’t think it’s ever going to happen for me.

Why can’t I just…?

I’m so ashamed.

I’m so selfish.

I don’t have enough time.

I waste my time.

I STILL don’t know how to…

I’m invisible.

I hate writing.

I hate myself.

I hate that I hate myself.

The world is falling apart, and writing doesn't matter.

My ideas aren’t good enough, aren’t original, aren’t…

All I want is one damn…

I’m not smart enough.

I’m not talented enough.

I’m not lucky enough.

I don’t want it enough.

I want this so bad.

I feel set up for failure.

I am my own worst enemy.

I don’t understand. Why do THEY get…and I don’t…

Publishing sucks.

Capitalism sucks.

Twitter sucks.

It’s my fault I haven’t…

It’s their fault I haven’t…

I’m average.

Why am I always chosen last for the team?

Why am I never chosen?

I can’t get out of my own way.

Who am I to think I could be…

What’ s wrong with me.

I’m so jealous.

I’m so angry.

I’m so sad.

I’m blocked.

I’m stuck.

I’m empty.

I want to give up.

 

I am so tired.

So

Tired.

 

 

I see you.

I hear you.

 

Take a deep breath if any of those words hit close to home. Give yourself a hug.

Then keep reading.

Here’s How to work with those thoughts

All those statements above? Actual words said to me every day from the writers I work with, whether they are New York Times best-sellers, fancy literary agents, lifelong scribblers, or brand new wordsmiths. I’ve said many of them myself, especially in the past two years.
 

So how do we get out of this whirlpool of writer misery? Not only when we have an idea we’re jazzed about or something great happens with our careers: how do we stay grounded in our writing practice no matter what happens? What will get us to the writer’s seat, if not our secret or not-so-secret dreams?
 

Most of the people reading my newsletter are female identifying, which means there is a very good chance that the culture you’re in has hardwired you to think of yourself last.

This is something I know many of you are working on, and your writing practice is a very good teacher in the great lesson of becoming. Even so, when I tell writers that writing is an act of self-care, wellness, and all of that they say, yes yes, but the truth of that doesn’t stick. Because they have been taught to put themselves last. Exercise, eating well, sleep—all acts of self-care. How are you doing on those things?
 

So I began to take a different approach, working with, rather than against, our natural inclination to put ourselves last.

I began to ask: What if we wrote because it was the best thing we could do for our families, loved ones, and community?
 

This has nothing to do with finishing anything or publishing or being any good at writing. I’m talking about the simple act of getting in the writer’s seat and writing words. Just that. Words maybe no one but you will ever see.

Could the ripple effect of having written that day be reason enough, maybe the very best reason, to write?


Grab a pen and paper and answer the following:

 

  • How do I feel about my day, my life, the people around me, my to-do list, the world and myself when I write on a given day?

 

  • How do I show up in the world at large when I make sure to write on a given day? (Note your worldview, the way you treat people, your relationship to work and responsibilities, and anything else you can think of.)

 

  • How do I feel about the above when I don’t write? How do I treat myself and others? How do I view my responsibilities? What is my general outlook?

 

  • Am I my best self when I write—regardless of progress or publication—or am I my best self when I don’t write?

 

If you’re anything like me, you might have noticed that life is better when you write. Even on a “bad” writing day. Some kind of alchemy occurs when you get your bum in the writer’s seat.

 

You don’t resent your kids as much when they tug on your shirt. You don’t have thoughts of burning down your home and walking away when you see your to-do list. You don’t reach for your phone (as much, anyway) to look at other writers’ social media and feel bad about yourself.

 

You’re less tense, irritable, hopeless.

 

Maybe you have noticed that no matter what you do in your life, no matter how many responsibilities weigh on you, there is this one incontrovertible truth:

 

you are not your best self if you aren’t writing.

 

It has nothing to do with publishing, with the state of your work-in-progress, with your place in the pecking order of those who write words down somewhere.
 

It’s simply that writing is necessary for your wellbeing and if you don’t do it, you are unwell. This unease might be very pronounced or it could be subtle, a low feeling that underscores your hours, a bitter twist to your lips. And that dis-ease has a ripple effect on everyone in your life, and, by extension, on everyone in their life.

(Example: You are irritable with your partner / roommate because you resent them and blame them for your own choice not to put writing over housework. Then they go to their job feeling like crap because they just got yelled at by someone they love and so they snap at a colleague….a colleague who is suffering from depression. Then that person….You see where I’m going with this).

 

This is the Ripple Effect. It is the best reason to write. The only reason, really. It is your way of being a good citizen. Your way of, as Alice Walker said, paying your rent for being on this earth.

 

It is how you do right (write) by the miracle.

 

The best part? It is fully self-empowered - you don’t need a book deal or permission to do this. You don’t need followers or even talent.


You just need to sit your bum down and write because the world needs you to be your best self now more than ever.

When I began to consider the Writer’s Ripple Effect, I saw that the ripples looked very much like lovingkindness practice. This pleased me to no end. It means that our writing is also an act of compassion and empathy for ourselves and all beings. (If you’re not familiar with lovingkindness practice, you can check it out here).

 

You sit down at your desk and set your hands on the keyboard. Or you pull out your trusty notebook and favorite pen. You begin to write - the act of writing is a stone thrown into the sea of beings on this planet with you.

 

Ripples begin to form as you hold your seat and write—no matter how good or bad it is, no matter how hopeless it feels, no matter how much you have to do, no matter how unworthy you might think you are. You write and the ripples flow outward…

 

The first ripple is you - your wellbeing. May I be happy, may I be healthy, may I be safe, may I be at ease.

 

The next ripple is the people closest to you. May they be happy, may they be healthy, may they be safe, may they be at ease.

 

The next ripple is those you work with, whether in your job or other communities you are part of. May they be happy, may they be healthy, may they be safe, may they be at ease.

 

 

The next are the random, neutral people you encounter each day—a barista, a bus driver. Strangers. May they be happy, may they be healthy, may they be safe, may they be at ease.

 

The next ripple is the people you will never know who benefitted from your practice. The reader you’ll never meet. The woman whose wife was nicer to her because you were nice when that woman made your coffee or took your order...and you were only nice because you wrote that morning. May they be happy, may they be healthy, may they be safe, may they be at ease.
 

And then the ripple gets bigger: The people who you don’t like very much, who are difficult, who have hurt you and others (this is a biggie, no pressure to get here any time soon). May they be happy, may they be healthy, may they be safe, may they be at ease.

 

Your wider community: the environment, your city or town, your country, our global family. May we be happy, may we be healthy, may we be safe, may we be at ease.

 

Finally: every sentient being in the universe. May all beings everywhere be happy, healthy, safe, and at ease.


Then you put down your pen and go on with your day. 



How nice, that this is enough. That YOU are enough. 

It is much easier to do this work when you have support and accountability. And so:

Here is the registration for our free Well Gathering this quarter.

I highly recommend working through the Get Clear workbook and getting some clarity on your guiding word for the year so that in The Well we can work with how to integrate it with integrity (my word!) in 2022.

 
 
 
 

In Sue Monk Kidd's book, The Invention of Wings, a character comforts her sisters in activism who are up against, well, everything, with these words: Press on, my sisters. 

And I say these words to you: Press on. 

Perhaps these words resonate and you can say them to yourself when you are tempted to not write, to wonder what the point is:


Press on. 

 

 
 

I hope the work you've engaged in with me today is of benefit to you wherever you are.
 

If you need support, you know where to find me.


 

Write From The Wound, Edit From The Scar

If my hands are fully occupied in holding on to something,
I can neither give nor receive.
— Dorothee Sölle
 
 
 
 

I cannot recommend getting on your soapbox enough. I did that recently for an article I wrote for Publisher's Weekly on why biographies need a makeover - that was my original title, and I'm using it here, at least! It was, literally, for their “Soapbox” column. It’s been nearly two months since my biography about Virginia Hall, Code Name Badass, came out, and I had a little more I wanted to say.

I wrote it from a place of power, a sense of surety, of hard-earned wisdom on the other side of a challenging journey.

It can be so scary to put your words out there. I've gone viral before, and I recommend it about as much as I would recommend getting food poisoning while on vacation.

Having a piece that could once again be read by many people in the publishing industry was a horse I knew I had to get back on...but was a little scared to ride.


That quote at the top of this missive from Dorothee Sölle is a good reminder: If my hands are fully occupied in holding on to past experiences with writing that are painful, I can neither give to my readers, nor receive inspiration for the words I write.

There were several times when I was writing this piece that I remembered my adventures in online infamy back in fall 2019, which seems both like a million years ago and also like yesterday. I had to put my mindfulness practice to use, holding space for my fear and the inner critic while also gently guiding myself back to my words and the foundation of self-worth and grace it has taken me years to build.

When I talk about a writing practice, I mean practice. It's as much a spiritual endeavor as anything else. Practice never makes perfect; but it makes better. And that's good enough for me.

 
 


Writing From The Scar vs Writing From the Wound

While I was working on this piece, I also realized something really interesting about my writing and I wonder if any of you feel this way too:

When I teach or when I write nonfiction that will be read by anyone other than myself or my husband, I am most in balance when I write from the "scar." This is something one of my meditation mentors, Lodro Rinzler, often spoke about in our meditation teacher training.

When you teach (or write) from the scar, you've come into some wisdom about something. There's clarity, equanimity.

You're a lava rock, not the lava. Formed by whatever the event in your life was, but no longer dangerous, and wild in your mind about it.

When you write or teach from the "wound," you're writing from a place of unresolved pain.

You're angry, but not the cool anger of the Queen of Swords, of Cersei Lannister, of Rosa Parks on that bus - anger that has been skillfully wielded into the sharpest of swords. You're hurting and that is writing from a mind that is all over the place, that is dropping bombs from a drone. There might be innocent bystanders, and that might include you.



When I wrote my article that went viral two years ago, I was writing from the wound.


Honestly, it started out as a blog post I didn't think anyone would read. I wouldn't take back anything I wrote in that article: publishing has a long way to go to be transparent, respectful to the authors whose words it makes money off of. If I were Martha Beck, I'd say publishing needs a major integrity cleanse. But there were a few private conversations I wish I'd had with certain folks mentioned in the piece before it began circulating. And I wish I'd ordered the paragraphs differently, alert for the tl;dr people who tweet before reading. Ah well. Live and learn. C'est la goddamn vie, as one of my characters in Little Universes says.

When I wrote this most recent piece, I was writing from the scar.

This new piece is about publishing, too, but I could feel the difference writing it. First of all, I wrote it during the day, not the night. (Wound writing often happens at night for me - what about you?) I also had several people who looked at it before I sent it out. It was edited, since it was for Publisher's Weekly. I also just knew what I was getting into, and was able to channel my feminist anger with precision.

I'm guessing the wound piece will always have more reads, be more meaningful and helpful--it was raw and that's an energy that really grabs people. But when I write from the scar, it's harder for the patriarchy (this includes females, sadly) to dismiss me. It's the kind of anger that moves mountains--not the destruction of lava, but the slow erosion that so many of us engage in, one article, one book, one march at a time.

But here's an interesting thing I also noticed: When I'm drafting fiction or memoir, I have to write from the wound.

When I'm exploring, I have to be present for everything that's there. I have things to work out, to understand, about myself or the world, and that's a very vulnerable "wound" place to be. If I show up for it with all my bravery and with a strong, sturdy practice, then over time, an alchemical process happens:

Through my writing, the wound I'm working with becomes a scar - my words, the story, the craft of my art...it's all medicine for me. And then, when I share it (from the scar) it has an opportunity to help heal wounds in others.

For me, my best writing comes from the wound and my best writing comes from the scar.

Ergo:

Write from the wound, edit from the scar.



Part of being able to do that work is to have the capacity to receive what is being offered you, whether as a writer or a reader.

Notice, too, that the medicine you receive from your work has nothing to do with publishing, with book deals, with reviews. All the good stuff a book can give you happens before it ever hits a bookshelf. And if it never gets that far, you can trust it has already done its job for you, in you, and the world. (You heal, you show up better in the world, and that gets passed on.)

But our capacity to receive inspiration and this medicine is becoming vanishingly rare.

Many of my readers and the writers I work with are women and so I know they are all too familiar with giving far more than they receive. With, in fact, being so accustomed to that dynamic--imposed or otherwise--of giver, not receiver, that they may struggle giving themselves permission to receive. It feels wrong or selfish. And anyway, there's no time.

Then there's the modern world, how it grinds down our ability to pay attention, to receive those sweet moments of sunlight on leaves, the way laughter carries on the wind, the particular coziness of a good pair of house socks.

We lose these moments to our phones, the demands placed on us, our inboxes, those we care for. We lose them to advertising and podcast episode binges and content, content, content.

We lose them and we cannot get them back.

Here's The Good News: We can train ourselves to be more present for them from here on out. To increase our capacity to receive what our inner and outer world is trying to show us, to receive it with such particularity that we can get it on the page and give it to someone else.

Is it no surprise that my word for November 2021, for the month of American Thanksgiving, is not give but RECEIVE?


A few things for you to RECEIVE right now:



1. The Well Gathering, free, from my heart to yours. Register here.

2. This gorgeous piece on the need for solitude from Maria Popova

3. This meditation I created last year on finding sanctuary in your writing.

4. A femme boost of the highest order in the form of my recent article for Publisher's Weekly on why biographies need a makeover.

5. My dear friend Liza from Eff This! Meditation has rebooted her long-missed newsletter - my very favorite thing that lands in my inbox each week. I always learn something, am delighted, and feel like I've gotten a warm hug. You can subscribe here.

6. My meditation mentor and another dear friend, Adreanna Limbach, has the best place going on Instagram. So if you're hit with some FOMO or comparison or rage or whatever...hop over to her space for the mindfulness haikus and stay for the reminders that you are enough, just as you are, you sweet pea of a person.

7. My buddy and pal in all things writing, Camille DeAngelis, has put up a hugely generous video series where she tells you all about what it's like to have your book become a movie starring Timothée Chalamet....and why you still matter as a writer even if that never happens to you.

8. I've been recommending this glorious book to my writer friends and will be sharing more about it at the retreat. A wonderful thing to slowly savor over the coming cold months.


With pumpkin spice love,

 
 

How To Do Right By The Miracle

 
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I was recently on the Illuminate podcast talking about my favorite things…doing right by the miracle, mindfulness for writers, meditation, being in relationship with your writing, Virginia Hall as inspiration for all of us, and so much more. Click below to have a listen! 🎧

I hope it inspires you, gives you yummy books to think about reading, and gets your mind swirling with ways to do right by the miracle on and off the page.

 

Heather Demetrios is a critically acclaimed author, writing coach, and certified meditation instructor. She’s published books in multiple genres and today she’ll be talking to us about her latest book, Codename Badass: The True Story of Virginia Hall, one of the CIA’s first female spies and a WWII hero. Heather shares how we can apply lessons from history to our own lives, how to have a positive relationship with our creativity, and how we can all learn to “do right by the miracle.”

This episode is hosted by Mariam Muzaffar.


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Want to change your thought patterns? Here's how.

I exist in continuous creative response to whatever is present.
— Martha Beck

A Daily Empowerment Practice To Rewire Your Thoughts and Banish Limiting Beliefs

*** Please note: for a download of the Be-Do-Feel-Have PDF, be sure to sign up for my newsletter! 

 

The process I’m about to outline was inspired by an interview mindset coach Jim Fortin gave on the Mind Your Business podcast, where he spoke about reprogramming your mind for better performance. Now, just writing that sentence made me feel a bit gross – raise your hand if you’ve had it with the mass buy-in of boss girl culture, hustle, and high-octane performance. I know I have (even if it continues to intrigue me). So before I get into the goods, I want to dig into how we might come at “growth mindset” work from a place of integrity, and give you a quick hint about what’s to come.

 

Growth Mindset For Writers

 

In a nutshell, Fortin offers up a template of four statements that you write every single day in order to rewire your brain and create new grooves for thoughts that will help you reach your goals so that you don’t keep walking in the trenches of the thoughts and limiting beliefs that are running you and ultimately keeping you from your goals as a writer.

 

I work with the statements myself and find them to be in alignment with other thought work I’ve done along the lines of Martha Beck or James Clear. I like the succinct nature of the statements, writing them each day, and it jives with what I believe to be true in my own direct, lived experience with mindfulness and meditation. I also think the science checks out.

 

But.

 

 

Mindful Growth Mindset – Is it Possible?

 

As a mindfulness practitioner and teacher, there is a lot about growth mindset and self-development (“self-help” for those of you who are tired of adapting to new lingo) that does not play well with a spiritual practice of being present and learning to sit with discomfort and what is in order to become more awake in this lifetime. It certainly doesn’t pair well with teachings on impermanence and a path to freedom that necessitates releasing yourself from attachment and clinging to anything and anyone. Finally, a lot of growth mindset is embedded in the ego…not so helpful for anyone working with the concept of one-ness / emptiness / no self that is the most confusing part of Buddhist psychology for writers, and one I’m only just beginning to wrap my head around in a workable way.

 

One of my biggest issues with many personal growth practices is that they don’t start from a ground zero that assumes you are whole, you are enough right now just as you are, and that you probably already have and are what you’ve been looking for. They assume you lack something and that you need a practice to get the thing. I think you’re whole, just as you are, and we just need to shine a light on some of the places within you that have yet to be fully explored.

 

But my very biggest issue with this work is how it’s often only available to those who have a surplus of resources: time, money, personal bandwidth.

 

If you’re reading this, you likely live in the developed world and have access to basic needs. Otherwise, work like this would be on the bottom of your list of priorities. The elephant in this particular room also needs to be addressed: As a middle-class, educated American white woman, any talk about growth mindset also feels…yucky. I’m able to access these concepts from an immense place of safety and surety and power, and so I want to put on the table from the outset that if you’re a BIPOC writer or from a country that lacks the riches of the US or are personally struggling financially, I recognize the discomfort that comes with this discussion for both of us, and the pain it may cause you. Please know that I am carrying this as best I can in the work we engage in together. I see you. I see me. And I’m working from a place of clear eyes and a full heart.

 

All of this to say:

 

This healthy aversion to podcasts like the one that inspired this exploration we’re on might have kept me from listening to the Fortin interview at all, had it not been for my dear friend, the author Camille DeAngelis, who shared how engaging in this work for a solid year was transforming her mindset and her life, with wonderful real-world results for her writing and creativity and livelihood. She encouraged me to check it out for myself. I decided to interrogate the idea of neural persuasion and growth mindset in a deeper way than ever before and found myself falling down a rabbit hole of exploring my discomfort with all things law of attraction, The Secret, manifestation culture, and magical thinking. (My mind always goes to, So what, people with no water in Africa just don’t “want” it enough to manifest a well in the middle of their village?)

 

It took me a while, but I found a way to line this work up with my integrity.

 

By the end of my deep dive (which, by the way, is only really scratching the surface of the ocean of wisdom out there), I felt that much of what Fortin said in this podcast checks out and is highly workable, but only if I tweaked his practice to reflect a mindful, feminist value system, with a heart-centered and inclusive approach.

 

 

Subconscious Transformation & Neuro Persuasion

 

Fortin is an expert in subconscious transformation and “neuro persuasion” –basically known as “subconscious reprogramming” of the neural pathways in your brain. In mindfulness, we might talk about these pathways as the neural thought grooves we create, the storylines that run us, and what the Zen Buddhist master Thich Nhat Hanh calls “habit energy.” These are the trenches in our mind where our limiting beliefs and misbeliefs have their guns trained on our self-confidence, engaging in daily attacks to weaken our personal power.

 

James Clear digs into this territory quite a bit in his wonderful book Atomic Habits, as do other experts on growth mindset. It’s not so much that the concepts Fortin presents are entirely new; it’s the simple power of the process he outlines in working with them that I have personally found to be so effective. When I’m working with a writer who is overcome by limiting beliefs, I offer this work up; it invites a great deal of clarity and aids in cultivating a healthy creator’s mindset. This, in turn, provides a firm mental foundation from which the writer can build a sustainable and flourishing writing practice. Like meditation and mindfulness, neural persuasion is a tool that can help you navigate the ups and downs of the writer’s life with a bit more elegance and a lot more joy.

 

For the purposes of our exploration, I’m offering a few of the delicious tidbits from this otherwise somewhat problematic podcast episode (two rich white guys talking about manifesting wealth without acknowledging any of their privilege or the real obstacles people face = yuck). But I never throw the baby out with the bathwater, so.

 

Below is the link to the interview, if you want to listen for yourself – don’t say I didn’t warn you! And for those of you who are trying to create more pockets of silence in your life for optimum flow and creativity and general mental hygiene….perhaps don’t click. (Ahem. You know who you are!)

 

https://www.mindyourbusinesspodcast.com/blog/114

 

 

 

 

Brain Science

 

As I mentioned above, the idea of this work might feel like another manifestation / Law of Attraction thing, but it’s not – or, at least, not in the way I do it. (While I believe our energy does attract some of what comes into our lives, I find a reliance on manifestation problematic and just plain bullshit on many levels).

 

This work that Fortin presents in regards to neuro persuasion is based on the premise James Clear shares in Atomic Habits, as well: in order to change the concept you currently hold of your identity, you have to change your thoughts. For example, working from an identity of I am a procrastinator to I am a writer who writes every day requires a serious mental shift in self perception. Easier said than done.

 

We talk about this all the time when I get into mindfulness for writers. This is ye olde brain science: neural plasticity, neural pathways, prefrontal cortex, etc. Meditation is one way to carve new neural pathways in your brain – the thought work we do, like changing the genre of your thoughts, is getting rid of old pathways (stories that aren’t true) and creating newer, healthier ones.

 

This is a great article on Vox about neuroscience and the ways our brains can be tricked or trick us:

 

https://www.vox.com/science-and-health/20978285/optical-illusion-science-humility-reality-polarization

 

 

Fortin shared the oft-cited concept that “You are where your attention is.” This is territory that has been covered very well in both sports psychology and performance coaching. I myself have written about this in my “Sports Psychology For Writers” post. Nothing new to see here, but it is true. If you have the thought, “I’m a procrastinator,” then your focus is on shame and blame and nothing changes. But if your thought is, “I’m someone who is resilient” then suddenly you are much more capable of busting through your procrastination. You are where your attention is – it can be on procrastination or resilience. Choose your own adventure.

 

Fortin suggests that most mindset transformation techniques don’t work because they focus on the left brain – the analytical, logic brain – which is at the conscious level and therefore much harder to change. But if you go into the right brain – the subconscious, intuitive, flow space we love and cultivate so much as writers – then you get into the place where you can actually reprogram your brain.

 

Research shows – and this is true, I’ve heard it time and again – that our brain does not know the difference between real or imaginary images and events and stories. If it sees violence on TV, it logs it the same as if it had happened IRL. This is terrible for trauma, but good for affirmations and brain reprogramming at the subconscious level. Your brain does not know the difference and so you can reprogram it to believe you are who you want to be. Within reason, of course. Too much so-called “reprogramming” and you end up in a room with white walls and a locked door.

 

And, then, there’s my big pet peeve with this work: affirmations that are basically asking you to lie to yourself all the live-long day. (“I am a millionaire. I am a NYT Bestselling author.” “[insert your wild dream here]”) Maybe those things will be true for you someday and you know on a deep gut level you can make it happen, but if hey aren’t true right now and you keep repeating those phrases over and over, you’ll likely just feel like crap because you know they’re not true and so not only are you lying to yourself (how unkind!), you can’t even believe the lies on any level, which is why these types of affirmations rarely work and only result in self-delusion, frustration, and depression.

 

So, a personal side note before engaging in any kind of work like this:

 

I’m putting on my feminist and mindfulness hats here, since Fortin left those at home for this interview…

 

You are already enough. You are already whole.

 

So my come from with this work is that we are returning to who we are, our highest self. Not becoming someone else. This work is never meant to take you away from home base, or lessen your self worth, or create a sense of comparisons or ideals.

 

Just like with my You Have A Process work that I do one-on-one with my writers, our goal with neural persuasion is to access your true desires, your process, what works for you, makes you happy, makes you aligned with your integrity.

 

Affirmations are tricky: it’s all about intention, and that idea of returning to self, or accessing highest self – not, as is so often the case, about telling yourself yet another untrue story about yourself or your life, only to be totally devastated when you can’t “manifest” properly.

 

This work is all about accessing who you already are on your very best day.

 

For example, if I say, “I already have a bestselling novel” that is 100% bullshit. I do not. That kind of affirmation is not what I’m about. But if I were to say, “I have already written a bestselling book” (if you have a manuscript) or “I have a bestseller in me” (if you haven’t completed the book yet) – now we’re getting somewhere. Can you taste the difference with these statements, and see why one is bullshit and one is waking up to your potential?

 

The truth is that if I do the shadow work, the inner work, the meditation, the mindfulness: then I will get to a place where I truly can see that I already have written a bestselling book (or that I have one in me)it’s just that the sales part is not up to me. But I wrote it. I did my job. And so I go out into the world like a boss lady who has written a bestselling novel, because I have.

 

I know it’s worthy of that (this is not dissimilar from the Martha Beck “Defrosting Your Thoughts” exercise I wrote about). The fun part is that I’ll probably get much closer to that cool seat on the list because, energetically, I’m putting out much less desperate vibes. And people are drawn to confidence. And, I’ll put good effort into promoting the book and befriend my scarcity instead of believing that there aren’t enough seats at the table. All of this means more people see the book, word of mouth increases, I feel good because I know I’ve done what I can and am working from a place of personal power, where my worth isn’t tied up in my book or it’s sales. Personal power is attractive. We don’t know what it will bring into our lives, but it will bring something useful or delightful or interesting. You can bet on it.

 

Bonus: Let’s say the book doesn’t ever hit the list. How do you think I’ll feel? I know I wrote a book worthy of being a bestseller. I feel and have been projecting confidence, and that has likely brought some incredible experiences and opportunities and people my way. Let’s just say I’d feel better than if I hadn’t done this work and assumed I was invisible and my book would tank. Actual bestseller or no, with this mindset, you always come out ahead.

 

Hope is the thing with feathers. So fly, baby, fly.

 

 

A Caveat: Manifestation? Um…No. And Yes.

 

I have to put on the table one of my biggest reservations about anything involving affirmations or manifestation or Law of Attraction: It often feels reserved for those most privileged and it suggests that people who are legit suffering are only doing so because of their mindset. That being said….Fortin has a point in this interview. Even if you’re really down on your luck, your mindset is the best chance you have of changing the narrative, whether you’re in a refugee camp or Hollywood. Still, it’s much harder in a refugee camp, and there are far fewer ways to change your situation, not to mention trauma.

 

But you are not in a refugee camp, probably. You are likely from a background where you have enough to care for yourself that you can even read this (and high-five for your grit if you made time to read this even when you are experiencing a severe lack of resources). Most of you are lucky to have the bandwidth to do this work and because we have the opportunity, we should take it because it will ultimately help us do right by the miracle, to, as Alice Walker says, pay our rent for being on earth through our activism (and writing good books is always a form of activism in the fight against darkness and despair). If you were very woo, you might even say that if enough of us engage in doing right by the miracle with deep intentionality, then we could actually raise the vibration of the planet. (I’m on the fence about that concept, but I do see the ripple effect of good vibes in my immediate vicinity when I do the hard inner work of not being an asshole all the time, so, yeah, I’m open to it).

 

 

 

Reprogramming Your Mind

 

This work is fundamentally about reprogramming your subconscious mind. Fortin talks about how most people work from where they currently are to where they want to be – but that’s a backwards strategy.

 

You have to work from a place of arrival, of having already stepped into your highest potential and have the thing you want – you’re already her, remember? You’re already there. You’re at the fire. It’s just that all those limiting beliefs are the smoke that keep you from seeing your true self. This work is about clearing away that smoke.

 

Don’t forget: the mind can’t tell the difference between real and fake. So the more you do the work of truly believing something that is true to be true (even when your mind wants to tell you otherwise), the more the subconscious mind gets on board and believes it too. This affects your behavior and ultimately gets you much closer to what you want.

 

To be clear: You are not lying to yourself. You’re not tricking your brain. You are not saying things you don’t believe.

 

That being said, some of this work could be aspirational in nature – but more on that later.

 

James Clear, sports psychologists, and other performance experts all say the same thing: In order change a habit, you have to first start with your identity. If you want to be the kind of person who wakes up early, then you have to believe you are a person who wakes up early. And then…wake up early.

 

But the believing part is the hard part, and that’s where this important work of subconscious neural rewiring comes in. You’re basically hypnotizing yourself. You’re telling yourself a new story about yourself, but it’s a true one. Your conscious mind just doesn’t know it yet, so it keeps acting out in the same old behavioral patterns, running over those same old neural pathways of habits that are keeping you from what you want.

 

This actually ties in super well with my love for Danielle LaPorte’s Desire Mapping and the concept of Core Desired Feelings. Because you’re taking your focus off the goal and focusing on your feelings, your self.

 

LaPorte’s question is: What do you need to do to feel the way you want to feel?

 

Fortin wrote the prequel question to that: Who do you want to be, and then what do you need to do, to feel the way you want to feel?

 

We don’t want a thing, we want a feeling.

 

Every NYT Bestseller I know is miserable. So why would I want to be on the list? I don’t want to be miserable! What I want is the feeling that I imagine the list would give me: the security, the validation of a seat at the table for a little bit longer, the money, the hope that more of my words will be read by more people, and that I can maybe change the world for the better, just a little bit.

 

But there are more ways than the list to accomplish those things, no?

 

I’m not interested in being Icarus. I want to be Circe, who felt invisible, lived on her island, made friends with lions, and found her inner magic. And turned bad men into pigs.

 

So Fortin (and LaPorte) are saying: People are doing mindset reprogramming backwards, which is why most self-development mindset Jedi stuff doesn’t work. They focus on what they want, but you won’t have what you want without changing the way you show up in the world.

 

 

 

Practical Magic: The Be – Do – Feel - Have Formula

 

 

So we start with a question, this from Fortin:

 

·      Who would I be, what would I do, how would I feel if I already had_________________?

 

That blank is for you to fill in: the thing you really want.

 

Note: we’re not talking small potatoes here. We’re talking the big thing. It might be quitting your day job and being a full-time writer with a bestselling vampire series.

 

It could be a certain amount of money that feels Bezos-level safe to you. You couldn’t spend it all if you tried.

 

It could be a partnership, business, government position…whatever.

 

Basically, it’s the thing that, if you were Jerry Maguire, you would say it “completes” you. This is something some of you might need to do a bit of work on as you engage in neural reprogramming because nothing completes you. In fact, you complete yourself. You’re complete already—the rest is gravy. Don’t believe me? Name one thing that you thought completed you in the past and then later realized did not. See? Nothing but you completes you.

 

Say it: I complete me.

 

I’ll wait.

 

The concept around this statement Fortin is working with (Who would I be, what would I do, how would I feel if I already had_________________?) is that we begin to reject the ineffective “Have – Do – Be” mentality.

 

This is where you have the thing you want, so you do the work you want, and you are the person you want to be – which doesn’t work because it’s backwards…you don’t have the thing you want, that’s the whole damn problem. So you’re always stuck at Step One.

 

Instead, we work from a Be – Do – (Feel)- Have mentality.

 

You be the person you want to be by changing your identity re: James Clear in Atomic Habits. If you want to be the kind of person who writes every morning, then you would say, “I am someone who writes every morning and so I have a regular writing practice.” Then you need to actually get your bum in the chair every morning. If you manage that, then you feel like a person who commits to what she cares about and then you have that regular writing practice.

 

I call this practical magic. It feels like a spell, but it’s really just healthy mental hygiene and good habits. (As opposed to magical thinking, which is just saying affirmations and hoping that writing practice you want will manifest).

 

So, keep that in mind: Be - Do - Feel - Have

 

 

Your Be-Do-Feel-Feel-Have Formula

 

I don’t know if Fortin calls his formula this, but I like it, so that’s how I’ll be referring to it from now on.

 

Write the following statements every day, first thing in the morning. It may take a while to get to the statements that feel “right,” so you might have different ones each day for a while.

 

 

1.     Being: “I am____________________________.”

2.     Doing [verb]: “I_______________________________.”

3.     Feeling: “I feel___________________________.”

4.     “I already have___________________________.”

 

*** The “already” is key because it has to be something you truly already have. Again, this isn’t Law of Attraction or lying to yourself. You’re getting clear on what you already bring to the table, and this work amplifies that. For example, my #4 statement is:

 

 

I already have made my mark on the world.

 

I bet any of you could say that, and it’s all to varying degrees. (Just consider the Butterfly Effect). The reason I’m doing this work is because I want to amplify that—I want to make a larger mark on the world. By reminding myself every day that I have already made my mark on the world, I release my fear that I won’t make my mark, I release my desperation to mark my mark before I do (As in Hamilton: “Why do you write like you’re running out of time?”). So, now, I can rest in the assurance that I’ve already done what I have set out to do. I just want to do more of it. This allows me to come from a place of abundance, versus scarcity. And notice there is no icky residue to this work because I’m not lying to myself. In fact, I’m opening myself up to the truth of me, and claiming it.

 

 

My current Be- Do – Feel - Have Formula as of August 2021:

 

1.     I am a luminary. 

2.     I do right by the miracle. I help girls and women connect to their highest selves.

3.     I feel essential.

4.     I already have made my mark on the world.  

 

 

Breaking Down the Be – Do – Feel - Have Formula

 

With the statement you choose, you’re being committed to the outcome you want, and taking responsibility for it. “I am” statements are going to be the easiest way in here.

 

Example: “Being”

 

I am a luminary.

 

Definition of Luminary: a person who inspires or influences others, especially one prominent in a particular sphere

 

You don’t have to choose a noun, but it seemed to be most helpful to me. Up to you!

 

I had to dig deep and think, Who am I when I’m at my best, most highest self, deeply aligned with my integrity and purpose? On my death bed, on my gravestone, what do I want to be known as? What identity would include my writing, teaching, coaching, spiritual practice, personal relationships, ethics, activism, etc.?

 

To be fair, my friend Camille DeAngelis came up with the word for herself when she did this work and said I could use it, too, and it was way too good to pass up. 

 

A Note On Word Choice: This is important! If you haven’t read The Desire Map by Danielle LaPorte, I highly recommend it – she has so many delicious exercises about choosing the word that feels juuuuust right.

 

For example, you might be trying to decide between visionary, luminary, light-bringer, trailblazer…So you’d write them out, live with them for a bit. Look them up, look up synonyms. You might decide on one for a week and realize it doesn’t fit. You’re a writer, so you know words matter. You have plenty of time to find the right one. Have fun with this!

 

So you really want to go beyond the basic: “I am a bestselling author.” What about: “I am a thought leader?” See if you can really find a holistic statement.

 

Fortin, Laporte, and others working in the field of beginning with identity to goal-set, motivate, and cleanse your mindset makes it clear that if you don’t alter your ways of being, you won’t get what you want. So you want to focus on being, not on what you want.

 

 

Example: “Doing” [verb of choice]

 

I do right by the miracle. I help girls and women connect to their highest selves.

 

For me, doing right by the miracle means paying my rent for being on this earth (as Alice Walker says) and I do that through helping girls and women connect to their highest selves, be that in my writing, coaching, teaching, or advocacy work. Notice that I’m using active verbs here, in the present tense. I could get more specific if I wanted to, but this works for me now. You might say, “I write books that help the world heal from hate and oppression.”

 

You want to think about what characteristics you would need to have in order to be a visionary or luminary or thought leader or healer or whatever your “being” is. Those qualities you bring to the table with your being are what you list here for your “doing.” This is a practical endeavor, sleeves rolled up and doing the work of your life.

 

Example: “Feeling”

 

I feel essential.

 

I like to think of myself as an essential worker, and feeling essential is important to me – I don’t want to do work that is just about me or for me. I want to be of service (it’s my love language). So feeling essential helps me know I’m in my integrity, following my North Star, being of use to others (While also honoring my own desires, etc. – I’m not talking being a martyr. I love doing what I love while at the same time impacting others positively). If I’m not essential to whatever work I’m engaged in, then that’s a red flag for me personally. I think about how my Army midwife friend felt so proud of being able to use that phrase “essential worker” during the early days of COVID and had a T-shirt that read, I am essential on the front. That’s a good feeling!

 

It could help to revisit the Desire Mapping concept of Core Desired Feelings if you’re a bit stuck on this one.

 

 

 

Example: “I already have”

 

I already have made my mark on the world. 

 

Admittedly, this one is both selfish and service-oriented. There is a part of me that wants to leave this earth having made a good impact, a little part of me that is eternal. Well, as long as Earth exists, anyway. My writing feels like that. But it’s also service-oriented: the idea of leaving the world a better place because I was on it, and that the work I do has a ripple effect the size and impact of which I will never know, but believe is, for the most part, a good one.

 

Fortin says the key here is that identity drives your way of being. So if you already have whatever it is you want, then you both are the person you want to be and do what you want to do and feel the way you want to feel.

 

Again, this can get a bit wonky: Are we lying to ourselves? No. Because we’re doing the work, the inner work, the shadow work, the work of waking up.

 

We’re starting with “be.” We are human beings, not humandoings or humanhavings.

 

And, remember, our little feminist spin on this is that we already are these things and have these things. It’s like we’re dusty mirrors and this work is cleaning off the grime so we can see ourselves better and live as our highest, truest selves in the world.

 

As I mentioned before: When I hear people talk about affirmation work, a part of me cringes because it feels like a lie. But read my statements. You know me. At least well enough to be willing to read this long-ass manifesto. Look at my four things. Am I lying to myself?

 

No. I believe all these things are within me and have been expressed in real life in different ways, but I don’t always live like I believe it. For example, sometimes I doubt if I’m essential when my books don’t sell. This is where inner critic, self-doubt, etc. comes in. And that’s why we do this work.

 

If I tell myself the truth—that I’m essential—and I tell myself that every day, it’s a lot harder for the inner critic to tell me I’m worthless.

 

Inner Quality Transfer / Conversion

 

This isn’t something Fortin gets into, or if he does I don’t remember it, but it’s something I work with my writer on a lot:

 

We all have characteristics, identity aspects, inner qualities. For example, you may be loyal or hardworking, or creative.

 

When we do this work, though, we’re often trying to get to a place we don’t feel we’re at yet. But here is where the mindfulness comes in: you’re already at that place. There’s just a lot of fog around and you can’t see it. Or, you can work with the dusty mirror metaphor.

 

But let’s say you don’t quite get that, and what you want to put down is something aspirational. You are so used to the concepts of affirmations, that this whole Be – Do – Have isn’t quite clicking. (In fact, if you struggle with character desire, this is probably why – so pay attention and use this on your protagonist!).

 

This work doesn’t work if what you put down is purely aspirational, something that isn’t true about who you are, but you really wish it were.

 

However, you can transfer or convert a quality about yourself that you have in one area of your life and work towards bringing it into another area of your life.

 

If you’re doing the inner work, the aspirational stuff is actually already true. You just need to wake up to it. You don’t see what you’re capable of yet, but something in you thinks you can do this, that it’s in there. And you just need some new neural pathways to make it happen.

 

Example of Inner Quality Transference

 

Let’s say you want to be committed to your writing, but you really feel like a procrastinator. You rarely sit down to work, you talk more about writing than actually doing it.

 

Part of you is tempted to have your “I am” statement (your identity) be “I am committed to my writing”….but you know you’re not. That’s the whole problem. To say that would be a total lie because you’re not. That’s the old way of Law of Attraction thinking that just doesn’t work, right?

 

But let’s do this: Is there an area in your life where you have demonstrated the quality of “commitment”? Your relationships, your day job, your spiritual practice? Somewhere, I know, you must be following through.

 

Okay, so we revise this statement to make it true:

 

“I am someone who commits to what she cares about.”

 

Yes?

 

Now, you do the work of neural persuasion—this is how new thought grooves (neural pathways) are created in your mind. This is how the big shifts happen. Every day, you write this statement I am someone who commits to what she cares about. It’s true, but your goal is to believe it to be true, to climb out of the old mental thought trench you were in that you are someone who isn’t committed, who is in fact a procrastinator (that’s an alias, a fake identity—you can let it go now).

 

Over time, if you really work with this every day, you’ll dig that new neural pathway in your brain. You’ll find, perhaps through concerted effort or very little effort on your part, that you show up to your writer’s seat on the regular. Why? Because you’re a person who commits to what she cares about. And you care about your writing. So showing up is now just what you do. It’s who you are. It’s your identity.

 

Is it magic? Nope. Just noticing the qualities in yourself that are already there and trusting and amplifying them. Giving them attention. Tending to them like new houseplants.

 

 

 

Revising Your Be – Do – Feel - Have Statements

 

It takes time to find the statements that are just right. It might involve a lot of journaling and revising, changing a word here or there. Don’t worry. Just keep working with the statements each day, revising as needed. You’ll land on the ones that work for now. And you might need to revise them again down the road, with new areas of your life that are aching for some neural pathway renovation.

 

You also might find that as you revise these statements you get further from ones that feel pie-in-the-sky grasping, materialistic, clinging aspirations to ones that actually resonate on a deep, spiritual level with you.

 

 

 

Reworking This To Reflect A Mindful Approach

 

***This work gets a bit janky and complicated for me as a mindfulness practitioner, because our focus is being in the here and now, accepting whatever the moment is offering up to us. But this work seems to be telling you to do the opposite. In fact, Fortin himself said, “You need to work from this place, to see things as you want them to be, not as they are.” I disagree with him here. Big time!

 

I would rephrase this to be, “You need to work from this place, of trusting that you are already your highest self and that your brain is telling you stories that are keeping you from re-connecting with her.” You are already complete, whole, and perfect. You are everything you need. You are just across the river and you feel like you’re without a boat right now, stranded from the who is you on your best day, as your highest self. This work is the boat so that you can be her on the regular. As one of my writers told me: “Once you get to the other side of the river, you realize there never was a boat.” So true. You are your own ship and the captain of it. Ahoy!

 

Fortin says, “Where is your attention and where do you keep your attention?”

 

He gave a classic example: If your attention is on “I have no money” then you will have no money – you are accepting your unconscious paradigm that you are a person with no money. But if you attention is on, “My money is out there waiting for me and I just need to find it” now we’re getting somewhere. Now you’re working from a place of hope and motivation. Your money is out there, even if your pockets are empty. Make sense? Sure, this reads like You Are A Badass At Making Money – but that book actually did kind of kick my butt in a good way. Sometimes we need that. Even if we’re rolling our eyes at the same time.

 

The idea here is that in repeating these phrases, writing them each day, you are literally rewiring your subconscious neural patterns. Just like meditation, you won’t necessarily realize at first that’s what’s happening in there. So you want to pay attention. Journal as things shift for you. Notice how you show up differently. Notice if you are in Be- Do – Have or in Have – Do – Be. (( Remember, you want to be in a Be – Do – Have mentality ))

 

 

Naming Your Baseline

 

And, finally:

 

Fortin suggests coming up with a baseline that you will not allow your bad habits to go past. It’s your line in the sand. Your integrity gut check. (Please read Martha Beck’s The Way of Integrity!). His idea is that if you don’t have a baseline, then you’ll allow your unskillful behavior to continue and you’ll never get where you want to go. I think that’s a fair point. We all slide, but what is the point at which you say – nope, you shall not freaking pass.

 

My baseline: Do right by the miracle.

 

This means that each day, I strive to be hyper-aware that I have one life, that I am so lucky to have this life and all that my personal incarnation comes with, and that it’s my duty to do right by it. As Alice Walker said, “Our social activism is the rent we pay for being on this earth. “ When I notice I’m on autopilot in my day, when I’ve lost track of what matters, I immediately course correct. I have to. It’s my line in the sand.

 

So what’s your baseline? My advice is to keep it simple. Write it somewhere that you’ll see on the regular:

 

My Baseline:

 

 

 

And there you have it!

 

I know this was a lot to read, but I really wanted to make sure this didn’t seem like just another mind Jedi thing that you would try and discard. It’s a great way to connect with your higher self, clarify your goals, and give you a map on how to get there.

 

Perhaps you might think about how long you want to do this for. Fortin says at least 10 days. My buddy did it for a year and is still going strong and seeing results.

 

Have a think, then write your commitment in your journal, so that you can really endeavor to do this thing and see if it works for you:

 

 

I will write / use Be-Do-Feel-Have for_____________________________________________.

 

 

Here’s to hugging your highest self when you reach her across the river.

 

 

Further Reading

 

Blog Posts

 

For reference, much of this kind of thought work is also touched on in various ways over the years in my following blog posts:

 

“Sports Psychology For Writers”: https://heatherdemetrios.com/blog/sports-psychology-for-writers

 

“What Happens When A Writer Loses Her Jump”: https://heatherdemetrios.com/blog/what-happens-when-a-writer-loses-her-jump

 

“Defrost Your Limiting Beliefs”: https://heatherdemetrios.com/blog/defrost-your-limiting-beliefs

 

“How To Change The Genre of Your Thoughts”: https://heatherdemetrios.com/blog/change-the-genre-of-your-thoughts

  

Books

 

The Desire Map (Danielle LaPorte)

Atomic Habits  (James Clear)

The Way of Integrity (Martha Beck)

The Soul of Money (Lynn Twist)

The Light Seer’s Tarot (Chris-Anne): Wonderfully nourishing & inspiring!

 
 

Don't Give Up

 
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We age very quickly out here. I and all the others are about a hundred years old. We’ll never be the same again.
— Virginia Hall
 

Well, CODE NAME BADASS is out in the wild . 🎉Four years of the joy and burden and confusion and terror and wonder and pride and despair and hope of this book has culminated in something that can go from my hands to yours.

I never felt like more of a badass and a dumbass simultaneously while writing this book - and I actually think that might be a sweet spot for creativity.



Beginner's mind + audacity = Badassery



Have a think on that and see if it's true for you.

Below is an excerpt of the audiobook of Badass - what say you? I'm in love. 😍

 
 

Artist Burnout: No, you’re not crazy

I put that Virginia Hall quote at the top because it made me think about myself as a professional writer, and all of you - whether you are published or not.

We writers age quickly, don't we? It's rough out here.

I'm reading William Deresiewicz's The Death of the Artist, which is true and painful but also very comforting, in a weird way. I'm not crazy: this world is getting harder and harder for artists to not only make a living, but to make anything at all. PSA: Don't read this book if you're feeling hopeless or low. DO read this book if you're feeling gaslit or totally flummoxed by the gig / artist / publishing / creative economy.

There is a lot of pain in our community - comparison, disappointment, rejection, dry seasons, highs and lows that thrash us about - but I have ways to work with it that I think will help you too.

One of the main struggles I and the writers I work with share is time poverty. And part of that is because of the attention economy (I'm also reading Jenny O'Dell's How To Do Nothing - highly recommend once you've finished Code Name Badass!), which is why my mindfulness for writers and You Have A Process work is so important.

If you think you might need some support - a call, a process inventory, longer mentorship - it might be a good time to consider some writing support from yours truly.

Part of the reason it's so hard to get to the writer's seat, to stay in it, or to maintain hope is the fact that we do age very quickly out here. The shine is off the apple. Writing and publishing is fucking hard, it just is.

Are You Putting The Cart Before The Horse?

So many writers only attend to craft, but that's actually the smallest part of the writer's job. The biggest part is all the shadow work, the inner work, the discipline, the mindset. That's not to say craft and story isn't hella important - it just means that there is way too much time given to that by writers who don't even know what their process is, what to do when they are stuck, or who haven't set up the conditions for flow and productivity.

Are you putting the cart before the horse?

Here's one thing I know: Being vulnerable and open about our struggles while at the same time holding fast to why we write in the first place and creating more inner expansiveness is a good way to feel a little less run down.

The above picture of me was taken by my husband a few days ago. I'm working on a new book - an adult novel about war correspondents - so we took the Annie Liebowitz Masterclass. He was playing with light. I was playing with trust. Openness. The belief that I deserve a seat at this table and that I am perfectly capable of making my own damn table if need be. The confidence to look directly into the camera and not blink. To not apologize for my presence. And giving us both the opportunity to experience presence.

This month's word is GALLANT and during our free workshop for this week's Second Sunday Well Gathering - be sure to register - we'll be getting into what being gallant looks like. (If you’re reading this after the fact, or can’t attend, you can access the workshop through my newsletter subscription on my Well Archives page).

What would be brave for YOU? How do YOU express courage?

We can't all be kickass spies like Virginia Hall, but there is so much I've learned from her about ignoring people who say no and doggedly moving forward toward that which calls you. Her ending wasn't necessarily a happy one - the no's kept coming all the way up until she retired from the CIA - but she managed to do so much more than she ever would have if she'd settled. If she'd told herself no.

When is the last time you told yourself no?

What would it feel like to say yes? To expansiveness, to time, to words, to stepping away from the burned-out-ness of online culture?

Thank all the gods for women like Virginia Hall, who give us someone to look to when we're not sure if we can be gallant.

Here’s lookin’ at you, kid.

 
 
 

2020 Is Your Teacher

 
Photo of hand with ink stains.
 

One of the most useful tools I’ve discovered in working on developing a healthy writer mindset is re-framing challenging situations by simply asking:

“How is [ fill in the blank ] my teacher?”

This is mindfulness for writers: Viewing everything we do with attentive and kind curiosity so that we can get under the hood of our process and practice. It is only through this dogged effort of inner work and flexing our emotional intelligence muscles that we position ourselves to do our best storytelling.

When you begin working with this concept, you’ll see how this simple question works wonders in all life situations, from a difficult boss to an illness to the loss of a loved one.

Curiouser and Curiouser

When we get curious about the tough stuff—rather than resentful and frustrated—we pave the way for real workable solutions (and avoid a lot of unnecessary stress and pain through needless worry-on-a-loop). When we begin to see challenges as teachers, we take an active, rather than passive role, in our story.

  • A publisher with terrible author care could teach us how to better advocate for ourselves simply by being so awful we MUST get over our fear of confrontation or risk our books not getting the visibility they need to reach our readers.

  • A scathing review or critique partner’s critical notes could be our teacher for any number of things: teaching us how love ourselves and not care about outside approval, or how to grow a thicker skin.

In the above situations, we don’t usually think about what we’re learning, and how these happenings are invitations to growth. No, we freak out, call our best friends and narrate the drama, take to our beds and consider quitting writing altogether, or we turn the anxiety inward, which can result in plummeting self-confidence, depression, and a dry creative well.

Asking how challenging people and situations can be our teacher is more than seeing the silver lining. This questions isn’t about listing the things to be grateful for, such as the loss of work enabling you to have more time with your partner or kids. When you ask, “How is 2020 my teacher?” you’re seeing how the events of this year (and your responses to them) are shaping the person you are, illuminating parts of yourself that might need some work, and challenging you to grow.

A Case Study

Let’s say you didn’t write at all this year. You just couldn’t, not with the world being a dumpster fire. For many writers, this would be a cause for guilt, shame, increased self-doubt—you name it.

Writer A might respond by quitting altogether, or forcing themselves into a punitive writing practice to make up for lost time. She is, of course, side-eyeing all those assholes on Instagram who finished five books this year and also managed to learn how to make sourdough bread from scratch.

Writer B might list all the other important things they did and recognize that it’s okay not to write when the world is upside down. Perhaps they’ve already forgiven themselves and they’re not sweating it—they’ll try again next year. They felt that self-care was paramount and that meant not doing anything that required plots and action scenes.

But if Writers A and B were to ask, “How is 2020 my teacher,” both may draw the same conclusion: 2020 showed me that when there is chaos in the world, my writing is the first thing to go.

The takeaway lesson for Writer A might be that she recognizes that when she lets writing slide, she feels awful. Her mental health plummets, she loses her connection to self. So 2020 taught her—by showing, not telling—that in order to avoid losing her writing when she needs it most, she’s going to have to dig deep and figure out just what it was that caused her to let something so precious slip away. Maybe, after some deep journaling, she realizes that 2020 taught her that if she doesn’t have a dedicated time to write each day, the words won’t get written. Maybe it’s also teaching her she has to look at the weird guilt she feels when she wants to write instead of make dinner for her family. Why does she deny herself writing time, but protect the “me” time of her loved ones? Curiouser and curiouser.

Writer B might realize that she’d needed a break from writing and that only a pandemic would have broken her iron resolve to publish or die trying. Maybe before COVID, she’d been obsessed with her career, no longer caring about the heart of her stories so long as she could get a book deal. Maybe her relationships with her family—and herself—suffered and she was miserable all around. Perhaps 2020 revealed to Writer A that her true priorities aren’t book deals but being an active character in her own story. In 2021 it’s imperative she strike a balance between the two (writing and family) so that she can show up fully for all of her life.

Working with This Question

When you ask how something—2020, creative dry seasons, a particularly challenging book—are your teachers, you’ll want to have a journal handy. Note that while this is deeply helpful to work with while you’re experiencing a situation, it’s also very useful after the fact. I’m sure we’ll be feeling the ripple effect of 2020 for years to come.

1. Think about the last challenge you faced. How did you react in the moment? What was your takeaway after the fact?

2. Note the usual reactions you have to tough, stressful, challenging situations. Do you usually call someone immediately to rant? Do you take a run to clear your head? Do you indulge in a vice or two? Perhaps you have the anxiety on an endless loop. How does that make you feel? Is it workable? Is it a skillful use of your creative bandwidth?

3. Now, pause. Take a breath. Then ask, “How is [fill in the blank] my teacher?” 2020 would be a great thing to go with. You could also ask about your WIP, your writing in general, or your self-doubt. Your inner critic. Your fear or jealousy.

(Spoiler alert:

everything in the cosmos is your teacher.)

4. Journal: writing and writing and writing until you come to some of the lessons you’ve been given. Of course, like any good teacher, the lessons will reveal themselves over time. But there’s likely at least one or two things right off that you know you’re learning about yourself, your place in the world, your desires, your shadow side.

Snag my free Get Clear Workbook to do a deep dive into your process, practice, and goals.

5. Lessons don’t mean a thing unless we take them to heart and put them to action. So to really integrate the knowledge you’ve gotten, you’ll want to think about what steps or actions you might take. For example, if 2020 taught you that you can’t write when there are people around, it might be a good time to clear out that guest room nobody’s using and turn it into an office—with a door that closes and locks.

Professor 2020

No one will deny that 2020 was a shit year. For many writers, this year could be marked as a wash, as a lost year.

But whether you wrote a whole book or a single word, I know there is much that this year taught you, all of which you will be able to put into practice in 2021 and beyond.

  • What did it teach you about the kinds of stories you want to tell?

  • What did you learn about your relationship to your writing?

  • What did it teach you about the importance of story in our lives?

  • What did it show you about the kind of writer you are…and the kind you want to grow into?

  • What did it teach you about your desires, hopes, and dreams?

  • What did you learn about boundaries—with yourself and others?

Whether it’s getting clarity on your real priorities, on the kinds of stories you want to tell, or your relationship to your work, let this be the year that acted as a refiner, burning away what’s not working in and around you, and leaving behind a writer who is ready to put words that do right by the miracle into the world.

And that is how the student becomes the master.

Photograph of Heather Demetrios with the words Breathe. Write. Repeat.

Why Purging Is Good For Your Writing

 
Meditating on the beach during autumn, Bournemouth, UK

Meditating on the beach during autumn, Bournemouth, UK

 
You are the creator of yourself, honey.
— Ven. Robina Courtin, Buddhist teacher

This month, my guiding word is PLENTY.

Rather than asking myself and my writers to do yet another gratitude practice, I’m instead offering an exploration into the shadow side of the harvest season:

Where are we hoarding, cluttering, over-indulging?

What’s clogging up our creative drains?


How are we hustling for our worth instead of resting in the fact that we are already enough, just as we are?

(Any Bridget Jones fans giggling?)

I don’t know about you, but I’ve been in a purging mood lately. A lot of women I know have been telling me the same. Yes, there’s a seasonal change and yes we’re all stuck in the house more than ever before, but I think it’s more than that. I think we’re seeing the ways in which clutter—physical and digital—is keeping us from our best work as creatives.

I often think back to when I was leading my annual retreat at Highlights (insert very big sad face re: COVID) and how one of the chefs there, a German woman, would stand behind this incredible buffet of food—a veritable cornucopia—and tell us not to eat too much. I loved that. While she acknowledged we were there to nourish and treat ourselves, she reminded us that when you’re overstuffed, your creativity suffers. She’s right: It’s not often I get up from a heavy meal (with wine, no less) and go write an amazing scene. This reminds me of the best practices in Zen, where you’re encouraged to only eat until you’re 80% full: again, to keep that mind clear and sharp.

I won’t go on a rant about capitalism here or ask you to go figuring out what sparks joy.

Instead, I’m going to encourage you to get very quiet. To sit in some silence. To whisper to yourself, I am enough. I have enough.

I’m going to ask you to look at your scarcity complex—and to work on banishing it.

Mindfulness For Writers

Mindfulness for us writers is the same for everyone else—paying attention in the present moment, really showing up for our lives. But it’s also essential because we can’t afford to get all muddled and cluttered.

We can’t afford for two months out of every year to be one of manic frazzled holiday insanity, where we run ourselves ragged trying to be festive. (Raise your hand, fellow introverts, if you would be totally okay with all holiday parties being cancelled in a post-COVID world too).

The more cluttered our lives, the more this will show up on the page and the more it will absolutely trigger our Inner Critics.

De-Cluttering for Creative Boosts

Below are a couple of ideas to de-clutter your digital space, which—especially these days—is probably affecting your creative wellness more than anything:

  • Unsubscribe Like It’s 1999. Even if it’s my newsletter. Get off any lists that don’t add to your life in ways you know are healthy.

  • Turn notifications off on your phone, especially social media. (This will change your life).

  • Delete Facebook. I just did and it felt freaking great. You’re an artist. Your bandwidth is everything. I’ve yet to meet a writer who feels like Facebook fills their well and is a place of great artistic insight and joy.

  • Delete any emails that you’ve been meaning to get to for the past six months. You’re not going to email those people back or do that thing and all it’s doing is taking up bandwidth. If this makes you anxious, you can create a folder titled SOMEDAY or whatever and stick them in there. I did that and never looked in it and nothing bad happened to me.



Now, you’ve got a little extra time to be quiet and contemplative and do some of that all-important inner work, as well as get a breather if the hustle-and-bustle of the holidays and NaNo is ever-present for you…


Meditation is a great way to begin.

Inner Stillness

Ursula K. LeGuin says, "To hear, one must be silent." Join me in a meditation on sound in order to access your inner stillness to hear your characters, your muse, your stories. This is a relaxing meditation to help increase flow, creativity, and focus in your writing practice.

Here’s to a season of PLENTY-

 

Befriending Your Scarcity Complex

 
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I took a picture of this doorway a little over a year ago in Santorini. That feels like a different lifetime, traveling outside the United States pre-COVID, but I love this image and wanted to share it with you because I dig how it feels like possibility.

Like all you have to do is walk through the doors being presented to you. Walk towards YES.

Right now, for me, YES feels like showing up for the hard stuff. The shadow work. This isn’t a post about tarot, but it’s worth mentioning that my card for 2020 was the Devil. I wasn’t happy about it. The Devil represents over-indulgence and addiction. Sometimes it can be a hint that you need to loosen up a little and have fun, but I didn’t think that’s what it meant for me.

It took me a long time—nearly half the year—to realize what my wee beastie, my devil, was: my scarcity complex. Once I noticed that, I couldn’t stop seeing how, in one way or another, scarcity was running the show.

Shadow Work


While there are always areas I can grow in, a big part of the work I'm being asked to do this year (by my heart, my tarot cards which stalk me with very consistent messages, and all my inner work) is to ditch anything that reeks of scarcity. A tall order in these times, with so much uncertainty.


Anyone else having a hard time trusting that if you leap, there's a net that will catch you? Scared that there are only so many nets and there might not be one when YOU look down?
 


As I peer more closely at this wiley little gremlin, I'm beginning to see that ditching our scarcity mentality is about trusting ourselves. 



Trusting in our worthiness. Trusting that our words matter. Trusting that we matter. Trusting that we have something to offer this world, and that there are people in the world who need what we have to give.


Permission to show up for yourself. In the writer's seat, in the moment when we indulge in comparison (hello, Instagram FOMO), when we have a book idea and then see a book just like it. When Self-Doubt, the Inner Critic, and their good friend Fear come out to play.

When we read our work and believe it to be terrible.

Saying YES to Your Creativity

I came across these wise words by Mary Oliver recently, and I feel like they really speak to me - to all the ways I might be saying NO to my creativity because I'm scared it won't be enough to catch me when I fall.

 
 
Oliver writing.jpg
 


When we give our creative work power and time, we're signaling to ourselves and those around us that we believe there are enough seats at the table. Enough shelf space in the bookstore. Enough great ideas for all our beautiful minds.

Power and time is a great big freaking YES to creative leaps. Our work and our devotion to it - and the writing life - make up the net that will catch us when we fall.

There are enough nets. And we will weave more if anyone finds themself short one. We can hold each other.
 

Now, when I have a decision to make - about my creativity, my writing, my life in these uncertain times - I'm beginning to ask myself this question in order to banish scarcity and other mindset gremlins:
 
How can I trust my inner wisdom in this situation?
 


How can I trust...


• The knot in my stomach
• The bad vibe
• The niggling feeling
• The warm YES, shackles off, I'm doing this feeling
• The NO
• The not knowing and the being OKAY with the not knowing
• The gut feeling
• The tight chest
• The not-feeling-it
• The FEELING
• The jazzy, zippy, yummy electric currents
• The body
• My own direct, lived experience
• The proof in my personal pudding


Are You Shackles On or Shackles Off?


Author Martha Beck talks about the concept of tuning in with your body and recognizing if it feels “shackles off” (yes, hot, free) or “shackles on” (no, cold, imprisoning) in many of her books. While there are many strategies, it can be very simple:

  1. Get a baseline (see below)

  2. Use a statement for the thing you’re deciding about doing or not doing. Example: I am going to grad school.

  3. Tune in to how your body feels. Is it the shackles on or off feeling? Is your body saying NO (shackles on) or YES (shackles off)?

  4. Trust your body. It bypasses your inner critic like nobody’s business.


How To Get A Shackles On / Off Baseline


Martha Beck Inner Teacher / Essential Self Exercise

 

I often refer to this as “calibrating our inner compass to point to our North Star.” Connecting to the body and bypassing the mental terrain where the inner critic, the shoulds, and your mother live

 

Psychological suffering always comes from internal splits between what your encultured mind believes and what feels deeply true to you.
— Martha Beck, The Way of Integrity
 

This following exercise in Martha Beck’s The Way of Integrity – I’ve simplified here for our purposes:

 

Step 1: Say the following to yourself….

 

I am meant to [insert something you don’t like doing] “I am meant to call my health insurance company.”

 

Step 2: Notice how the body feels when you say this.

 

Step 3: Say the below to yourself.

 

I am meant to live in peace.

 

Step 4: Notice how your body feels when you say this to yourself.

 

 

Working with these phrases, you can begin to really feel and listen to your inner teacher. The first sentence is always whatever activity you want to explore for an integrity gut check, and the second sentence is always the same.

 

This first time through, you’re establishing ground zero for how your inner teacher / essential self / integrity feels when it’s in and out of alignment. You can keep coming back to this ground zero when you need to refresh your memory.

This work establishes your baseline for shackles on / off. I am meant to live in peace (or a more resonant sentence of your choosing), will give you specific physical sensations of YES. While your opposite, that will be a NO. The YES or NO sensations will likely vary in degree in intensity depending on how how stakes the situation is for you.

Once you have this baseline established, either of these approaches (shackles on/off or the “I am mean to”) should help you greatly when trying to trust your gut, no matter how large or small the choice at hand is.

 


Listening to our guts, moving toward YES, doing the hard inner work....

This is the trust fall we have with ourselves. Our writing. The universe itself.
 
Leap.
Fly.
Land.


How To Write A Writer's Artist Statement

 
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With all the unrest in the world, my words feel especially wild right now--they don't want to be confined AT ALL. 
 
They sometimes don't know what they want, and that's okay.

Many of the writers I work with feel the same, or they’re wondering if their words matter, if they have a place in this world as a writer, or if the world even needs their stories. (If you’re feeling any of the above, check out this post on why you need to keep writing when the world is burning).

What keeps me from being unmoored when the world is falling apart is being aligned with my mission as a writer.

Having a clearly articulated mission as a writer has allowed me to have aTrue North whenever I get turned around in the story I'm writing or feel like I've lost my place in the human story.

I talk about my mission here, in my recent interview with the Author's Guild.

In this post, I’ll be guiding you through writing your own Writer's Artist Statement.

I was always jealous of visual artists and how, whenever they have a show at a gallery, there’s an Artist Statement next to their bio. I appreciated how it gave me, the viewer, a context for understanding them and their work, but, more importantly, I suspected it helped the artist themself stay in alignment with their goals.

Years ago, I decided to write my own statement and I now encourage my writers to do the same.

Over the years, this has helped me make choices about what projects are best for me, have authentic and heart-centered marketing and branding, and helps me show up for my readers. It’s how I keep making sure I’m giving back and staying in tune with my values and goals.

Here it is:


I write in order to awaken my readers to the deepest parts of themselves, ignite their imaginations, and hold space for them as they grapple with what it means to be human. My goal is to inspire them on their journey, to aid in their continual discovery of their place in the universal story, and help them strengthen their connection to others. I want my words to be a refuge when one is needed and a light in the darkness when none can be found, a bit of good, old-fashioned magic. Also? I want to entertain the heck out of each person whose eyes land on my pages.
— Heather Demetrios



The questions below will help you explore why you write, who you write for, and how to align your values with the words you put out into the world.


Exploring Your Mission

Step One

The following questions are intended to help you uncover why you write, who you write for, and how you hope your words will land. They’ll also give you some clarity and insight about your writing goals. Grab your journal and have at it.

  • Why do you write?

  • What makes you angry / sad / confused / frustrated about the world or human existence?

  • What do you wish you could tell everyone in the world?

  • What do you believe about the power of books?

  • What books have meant the most to you--and why?

  • Who is your reader? (This is the person you imagine being drawn to your work. Consider their age, positioning in society, etc.)

  • What do you hope your reader will take away from your work? Is there a message you want to impart (i.e. "You're not alone") or a feeling you wish to leave them with?

  • As a writer, what do you see your role in the story of our current human life? (Teacher, activist, counselor, comforter, etc.)

Step Two

Write a draft of your Writer's Artist Statement. This is a living document, a WIP. It can be as long or short as you wish. Review my statement above to get a feel for what a statement might read like.

You're clarifying the role you play in doing right by the miracle of this one life you've got.

Alice Walker said, "Activism is the rent I pay for living on this planet." So how will you pay rent as a writer?

  • Consider your answers from Step One and see if you can sort out WHY you write.

  • WHAT do you you hope to leave for your readers?

  • WHO are those readers?

  • HOW do you want to show up for them (and your fellow writers) as an author in both virtual and live spaces?

  • Gut check: What are your values? How can your writing and positioning as an author align with them?

  • Read the statement out loud. Revise as needed.

Step three

  • If it feels good, post your statement on your website or blog.

  • Write your statement out and tack it above your writing space.

  • Check in with your statement when you have choices to make about what projects to work on or how you want to show up in the literary community.

  • Share your statement with prospective agents or editors who you’re in conversation with about working together to make sure you’re a good fit.

  • Use your statement as a template for how you want to show up in your marketing and branding, as well as with your readers. This can inform everything from content to aesthetics.

  • Revise the statement whenever you need to! It will grow as you yourself grow.

Here’s to your wild words and doing right by the miracle with them!


Hold Your Seat

 
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Note: This post was originally published on October 14, 2017 on an old blog of mine. I'm posting it below in its original form (I no longer live in NYC, there's a global pandemic currently on, etc.)

 

A couple days ago I had an experience that happens all too often as a meditator (and writer who enjoys silence while ruminating) in NYC. I sit down on my cushion all ready to get my calm on when the jackhammers start right outside my window. Oh to live in Brooklyn in 2017 when everyone and their mother is gut renovating buildings or tearing them down to build overpriced condos. I’ve lived here for over four years and – I shit you not – there has been construction in close proximity to my building pretty much every single day. As a writer who works from home, I’ve had to make relative peace with this.

I am now an expert in white noise sound mixing and, when that fails, I push in the earplugs. Construction symphonies are an annoying soundtrack when you’re writing, to be sure, but they’re really REALLY crazy making when you’re trying to meditate. There’s a reason (most) monasteries are way up in the mountains, accessible only via dirt paths wide enough to let a yak through, and why writers fantasize about cottages at the end of the world to finish their novels in.


So here I am on my cushion and I have two choices: give up on sitting until much later or roll with it and hold my seat. Keep in mind that after sitting, I’ll have to start writing and, so, unless I’m going to pack up and go to a coffeehouse, there’s not a whole lot I can do to control this situation.

If there’s one thing being a meditator has taught me, it’s learning to be in the present, to accept what is happening without allowing events to control my emotions or hijack what little chill I have.

When we’re on the cushion, we practice this in various ways: instead of railing against my neighbor’s loud music or the jackhammers or the roar of loud trucks going up 20th, I try to just acknowledge what’s happening and return to focusing on my breath. If I feel annoyed, I sit with that feeling. I let the emotion be there, locating where it rests in my body (usually my chest and throat) and just ride it out–instead of letting the emotion ride me. In meditation, we call this “holding our seat.” It means that we don’t throw in the towel if a meditation session is uncomfortable. We stay even if the jackhammers start or we have an uncontrollable itch between our shoulder blades or we’re suddenly experiencing strong emotion.

We stay on the cushion. We stay in the present. We don’t bail. We hold our seat.


On this particular day, I held my seat. I accepted the situation as it was and by the time the gong rang on my meditation timer, it was all good. Sure, it would have been nice if the only sound was a bubbling brook and bees buzzing in warm sunshine, but I bet even then I would have found * something * to take issue with. And there’s this, too: we don’t judge our meditation sessions. If our minds were racing the whole time, okay. If we experienced enlightenment, okay. As long as we held our seat, it’s a win. The same goes for writing.

As long as you hold your seat and don’t let distractions or not feeling it pull you away from your writer’s seat, the writing session is a win.

As it was, I opened my eyes more relaxed, centered, and grounded than when I sat on the cushion thirty minutes before, and I call that a win.  I stood, stretched, then sat at my desk, opened Scrivener, and started writing from that place of relative balance. The jackhammers eventually stopped, but I didn’t. I wrote for hours.


Before I started meditating, I would have let my anger and frustration over that noise build. I would have abandoned my plans for meditation and gone into a whole inner rant about fuck this city and why can’t these rich assholes stop building condos and it’s impossible to live here as an artist, I can’t handle this noise and my apartment is too small and now I’ll never write another book and so I won’t be able to pay rent and I’ll be evicted…and…and…The incident might have ruined my whole day and certainly would have made it damn near impossible to focus on my book once I sat down to write. I would have worked myself into an emotional tizzy, allowing one jackhammer to instigate an existential crisis.

But because I’m committed to my practice and because meditation is training for life, I was able to simply see those jackhammers as part of the landscape of Now. And, like it or not, I was in that landscape, too.

As so often happens, what I experience on the cushion has a ripple effect in my writing life. I’m working on a couple of books right now, both of which I love and both of which are complicated for very different reasons. In those moments when I’m staring at the screen and feeling that familiar tension and frustration arise (why can’t I figure this character / plot out?!), I have my training on the cushion to fall back on.

I allow myself to feel that inner turmoil, locating it in my body and accepting it as part of the landscape. I don’t let it run me or turn into the spark for a wildfire of shame, anger, fear, comparison and the million other frustrations that can happen when we’re sitting in front of our screens. Just like when the jackhammers started when I was on the cushion, I accept what’s happening now–and what’s happening now is I have no idea what to write next. But because of my training on the cushion, I know that this snag is temporary because everything is impermanent: the good and the bad. I know this frustration won’t last because nothing lasts. I know, as when I sat on the cushion, that if I hold my seat and accept what’s happening, I will be the better for it.


And so will my writing.